transforms the superficially innocuous Louis Armstrong or Andrews Sisters covers into a. Dont let those precious moments fool you Happiness is getting you down A rainbow never smiles or blinks You were going on at half-past seven Now its going. "Filthy/Gorgeous" comments on the large number of sex. A similar twisting effect is created by many of the lyrics. hears police alarm." In "Filthy/Gorgeous," the policy of criminalizing sex work places those already in dangerous occupations into a criminal justice system that's tailor-made to abuse and dehumanize them. When you're standing on the side of a hill Feeling like you did to be done Here it comes A strawberry spot Chasing away the sun. It goes on to lament the displacement of sex shops and sex workers: "Dark room Danny can't see with the lights turned out. "Where are the queers on the piers?/Heard they gave it their best." Jake Shears later breaks through to scream the chorus: "There ain't no tits on the radio!" The song does down-and-dirty battle with censorship by using prohibited words like queer, tits, and tranny. When youre standing on the side of a hill Feeling like your day may be done Here it comes. "Tits on the Radio," with its throbbing bass line under Ana Matronic's monotone, criticizes the gentrification of New York. Lyrics for Intermission by Scissor Sisters. The song is about the unraveling of a false identity created to avoid being outed: "Now your girl's gone missin' and your house has got an empty bed/ Folks'll wonder 'bout the wedding, they won't listen to a word you said. In "Take Your Mama," one of their best-known singles, the acoustic guitar drives an addictive rhythm and delectable piano riff like a Lincoln Continental right out of the showroom. Their mission, though incontrovertibly fun and infectious, also strives to capture and clarify the struggles of the GLBT community. Formed in 2001, the Scissor Sisters have been making music that will drive you onto the dance floor. Ana Matronic, and their virtuoso, if only slightly more demure comrades, Babydaddy and Del Marquis. Prepare to release your inner boogie.ONE camp-disco-rock ensemble from New York City has seized the stage and captivated us for over a decade with the swift hips and flawless falsetto of down-home boy Jake Shears, the fabulous, loud, and tattooed Ms. On slower numbers such as the ballad “Land of a Thousand Words” and the swirling “Transistor,” they aim for mood as much as groove and achieve both nicely. This is undoubtedly music to shake your stuff to, but Ta-Dah, their second release, contains more than dance floor workouts. At first blush they might seem a guilty pleasure, except there’s nothing to feel guilty about - the music is loads of fun without being inane, unapologetically retro, and the lyrics are mostly interesting and funny rather than irrelevant, as is so often the case with polished pop. These Sisters (and brothers) write catchy pop songs that actually have a shelf life, and they sound good both in a club and on the radio, no small feat. There’s Abba and the Bee Gees for sure (lead singer Jake Shears has one sweet falsetto), a touch of Elton John’s gift for melody (and there’s good reason for it: John co-wrote the album’s irresistible opener “Don’t Feel Like Dancin’”), boy/girl harmonies like the B-52s, and a heap of New York disco and glam attitude. When you're standing on the side of a hill Feeling like your day may be done Here it comes, strawberry smog Chasing away the sun Don't let those precious moments fool you Happiness is getting you down A rainbow never smiles or blinks It's just a candy colored frown You were going on at half-past seven Now it's going on a quarter to nine All the angels. The Scissor Sisters are reminiscent of so many different bands (and eras) that part of the fun is playing name that influence. Intermission lyrics: When youre standing on the side of a hill Feeling like you did to be done Here it comes A strawberry spot Chasing away the sun Dont.
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